TATTOO MANIAC
Working title: “Fussing with myself”
Written By
Jane Dabish
5-30-script
©2021 All rights reserved to Jane Dabish.
FADE IN:
SCENE 1
INT. LYNN’S BEDROOM
- NIGHT
LYNN, a young woman
currently dressed in pajamas, is lying on her bed, and writing in her journal.
A nerve-wracking ticking noise is present, without any identifiable
source. Suddenly, the ticking stops. She
can also hear thunder boom.
There’s a pistol lying
close to her journal. Lynn mumbles to herself while she's staring at the
gun, while simultaneously writing her feelings out in her journal.
Lynn will point the
gun to her journal.
LYNN
I feel like I've got too much anger inside of
me.
(Referring to her gun)
This baby by my side makes me write out my
emotions way better. It’s making my
moods change each time each time I hear the ticking off the clock. I need to
cover my sorrows with tattoos. Yes,
that's what I'll do. I'll get tattooed.
It will make me feel more confident.
I'll heal through pain.
Lynn kisses the tip of
her gun then puts it under her pillow.
She then gets into bed, tossing and turning, trying to go to sleep.
LYNN
All this anger is pounding in my head. Maybe I
should get a hypnotherapist to help me through it.
Then the ticking stops
and Lynn falls asleep with the journal over her head.
FADE TO:
SCENE 1B
EXT. FOREST – NIGHT
(DREAM)
Lynn dreams she’s in a
forest, standing in front of a woman named SARA, who is looking at her. Lynn is still wearing her pajamas, which will
help signify that this is just a dream.
SARA
You envy me and you wanted to be like me.
Lynn brings up her
pistol and aims it at Sara.
LYNN
You trash-talk me too much!
SARA
You’re weak, bitch. You can't handle harsh
words.
LYNN (pulls out the gun out of her journal)
Maybe I can finally be happy after I blast a
hole in your head!
SARA
Do it, bitch. You will never be anything like
me.
LYNN
Again, you’re pissing me off, Sara! All you do is offend me.
SARA
(You’re delusional, Lynn! You hear whatever you want to hear.)
You’re delusional, Lynn! You just heard what you want to hear
Lynn fires her gun
once, barely missing her.
LYNN
You should learn to watch your mouth. I’m not
delusional! Over the years you've
verbally abused me. For having a shitty attitude, you deserve to be shot down!
Sara’s attitude
changes. She becomes scared.
SARA
I didn't mean any of it. I just wanted to make
you laugh. I’m a jokester! Just wanted to cheer you up, bestie!
LYNN
Yeah, whatever.
SARA
I’m sorry!
LYNN
You’re just mean to me all the time, so
apologizing won't work, you heartless bitch!
SARA
I bought you and gave you everything over the
years!
Lynn coldly points her
gun at Sara and shoots her dead.
LYNN
I'm hyped up and ruthless, so I don't give a
shit!
Lynn blows the tip of
her gun.
CUT TO:
SCENE 1C
INT. LYNN’S BEDROOM
– NIGHT
Lynn wakes up. Its still night. She looks on both sides of her bed.
LYNN
It was a dream.
That felt so real.
She starts mumbling
again, fluctuating between slow, medium and fast-paced mumbling.
LYNN
No one will get away with verbally abusing me.
Not a single soul.
She picks up her
pistol and turns it around several times, looking at it lovingly.
LYNN
This
pistol is my pride and joy.
RHONDA, Lynn’s
roommate, enters into the room, seeing Lynn.
Lynn quickly hides her gun under her pillow.
RHONDA
Hope you’re feeling okay.
LYNN
I’m fine, Rhonda!
Lynn turns away from
Rhonda, lying face-down on her pillow.
Rhonda pulls up her sleeve and smiles at a pretty tattoo that’s on her
arm.
RHONDA
Every time I’m down in the dumps and want to
feel fine again, I look down at this tattoo that my ex-boyfriend Ken did for
me. You remember Ken, right?
LYNN
(Laughs)
Yeah, I remember Ken. And he did give you a fine
tattoo, that’s for sure.
RHONDA
Lynn…
LYNN
Good night, Rhonda.
RHONDA
Good night, Lynn.
Rhonda leaves the
room. Lynn shuts her eyes and falls back
asleep.
FADE TO:
SCENE 2
INT. TATTOO SHOP –
DAY (DREAM)
Lynn is now in Ken’s
tattoo shop, sitting in a chair. She is
still in her pajamas. KEN is finishing
up a tattoo on Lynn’s arm. Ken is a
stoned-looking man wearing a shirt with beer stains on it.
KEN
Annnndd… done!
What do you think, Lynn?
Lynn looks at her new
tattoo and dislikes it immediately.
LYNN
Fucking jerk, you screwed up my tattoo! How could you do this to me, Ken?
KEN
(Looks serious)
I'm a professional. I've done my job right.
LYNN
No, you didn't. You've smeared it! I’m a paying customer, you drunken wino!
KEN
I'm not drunk now. I'm just high on weed.
Ken pulls out a joint
and smokes some weed.
Lynn brings out her
gun and shoots Ken. But then she’s
surprised to find that despite a new bloody bullet hole in his chest, Ken is
alive, not dying. He grins and blows
marijuana smoke straight in her face.
FADE TO:
SCENE 3
INT. LYNN’S BEDROOM - DAY
A boom of thunder
awakens Lynn from her dream about killing Ken.
She springs up in bed,
grabbing her gun from underneath her pillow, and aiming it from left to right,
finding nobody. Then she feels her bed
shake. She looks under her bed, and
finds Sara, her roommate, underneath her bed.
Sara was the one who shook the bed.
LYNN
Stop fucking with me, Sara!
Sara comes out from
underneath the bed.
SARA
What were you dreaming about, Lynn?
LYNN
In my dream, Ken was giving me a tattoo.
SARA
Rhonda’s ex-boyfriend, Ken?
LYNN
Yeah, him.
I wasn't happy with the tattoo Ken put on my arm. He smeared it. So I shot Ken. How can he fuck up that way?
SARA
Well, Rhonda said that Ken was an alcoholic and
a stoner. That’s why he’s a lost cause..
LYNN
Thanks for making me feel better, Sara.
SARA
You’re welcome!
Now why don’t you go lock that gun up somewhere?
LYNN
No, I still feel that this gun should be right
by my side.
SARA
Are you out of your mind? What if it’s loaded?
LYNN
Oh, it’s definitely loaded! But I’m going to make sure the barrel is
aimed towards that open window for safety reasons. So if it goes off, the
bullet will fly right out the window…
Lynn sets the gun
down. It goes off, a bullet flying through
the window. From somewhere outside, an
unseen cat yowls.
SARA
That's smart of you, Lynn, but you are super
crazy. Like me. That’s why we are
besties!
Sara looks at her
watch.
SARA
Gotta take my morning run.
Sara runs out of the
room.
CUT TO:
SCENE 4
INT. LYNN’S BATHROOM – DAY
Lynn looks over her
body.
LYNN
I hate the way my body looks. It needs to be
tattooed! This way, I can cover up my spider veins.
CUT TO:
SCENE 4b
INT. LYNN’S BEDROOM – DAY
Scene
description: Lynn’s journal is in the
bathroom. Ken appears in the journal that’s when she shoots it and he
disappears. (Maybe like a ghost)
Lynn, now fully
dressed, is writing in her journal again.
Jazz music is playing in her room.
LYNN
There's something wrong with my head. I'm not a bad person but I started to feel
that way. Even listening to jazz doesn't
work. I have to figure out ways to take
control over my thoughts and emotions.
Then a ghostly image
of Ken comes out of her journal.
KEN
You've shot me and I'm a perfectionist. I did a
fine job on your tattoo.
LYNN
Shut the fuck up, Ken!
KEN
Why don’t you eat shit, Lynn? It's good for you.
LYNN
(Stop verbally abusing me! I'm busy writing in my journal!)
Stop verbally abusing me! Can’t you see I’m writing in my journal?
KEN (ignores her and starts yapping away)
I have an idea!
How about I start telling you what to put down in your journal, word for
word? After you killed me over a tattoo
you didn’t like, I have the right to tell you what to write!
Lynn points her gun at
Ken.
LYNN
(You don't.
You are dead. So don't fuck with me!)
You don’t! You are
dead. Stop fucking with my head I know what I see!
Lynn shoots her
journal. Ken vanishes.
CUT TO:
SCENE 5
INT. LYNN’S BEDROOM – DAY (LATER)
Lynn is still writing
in her journal while mumbling to herself.
The ticking noise comes back and the weather outside is stormy again.
LYNN
I'm sick of these ticking sounds; they get to
me every time it storms.
Rhonda walks into
Lynn's bedroom, since she overheard Lynn talking to herself.
RHONDA
Are you alright? I heard you breathe heavily
again.
LYNN
Yes, I guess so. I just had a wild daydream
while I was writing in my journal. I saw Ken’s ghost coming out of my journal,
telling me what to write.
RHONDA
Ken’s ghost?
But Ken’s still alive!
LYNN
(Shrugging)
Well, Ken was a ghost in my daydream. Anyway, Rhonda, I'm planning on tattooing my
whole body.
RHONDA
This again?
You’ve talked about tattooing yourself for so many years! It’s annoying!
LYNN
I can't help it. I want to make that
change.
RHONDA
Okay.
Well, since we’re on the subject, did you know I just got a new tattoo
on my back? I got a good deal for it,
too!
LYNN
Ooh! Let
me see!
Rhonda turns around,
pulls up a bit of her shirt, and shows Lynn a small but cool-looking new tattoo
that is on her back.
LYNN
Wow! It
looks fabulous!
RHONDA
Thank you!
LYNN
Who’s the tattoo artist you used? And did he charge a rate as flat as my ass
is?
RHONDA
I only paid $150.
Rhonda shakes her head.
RHONDA
You’re weird, Lynn.
LYNN
I'm not weird, I just want my whole back
tattooed. It's normal to ask.
RHONDA
You're not normal.
LYNN
Oh, there’s no such thing as normal! I'm not, you’re not, no one is normal! Just tell me who did your tattoo!
RHONDA
Whatever!
It was Ken, my ex-boyfriend!
Rhonda hands Ken’s
business card to Lynn.
RHONDA
Here's his business card. Now you can talk to him all you want about
tattoos, instead of annoying me. I'm over it.
Lynn points her gun at
Rhonda.
LYNN
Don’t mess with me. Don’t you ever use that tone of voice with
me, Rhonda?
RHONDA
Put that away!
I'm your best friend.
LYNN (pulls out a gun and blows the tip of it.
To show she is a bad ass)
If you act up again, I'll blow you away.
RHONDA
Put it down! I'm not messing with you! Please
stop threatening me. Just put that away,
we’re in broad daylight, someone walking by might see you! They can just snap a picture of you and get
you in trouble with the cops!
LYNN
If some asshole runs his mouth, then I’ll shoot
the fuck out of him.
RHONDA
That's insane. You’re totally whacked and out
of your mind.
LYNN
Sure I am.
Lynn lowers her gun
and smiles at Rhonda.
LYNN
Crazy attracts crazy, that's why we are
friends.
Rhonda lets out a deep
breath.
LYNN
So tell me more about Ken!
RHONDA
Ken? Uh,
well, I never told you this, but Ken had a lot of bad habits. That’s why I broke it off with the idiot.
LYNN
Good. Do you have a crush on me, Rhonda? I thought you'd have a crush on me. Most people do.
RHONDA
Fuck no, I'm strictly dickly.
Lynn
Good, to know. I just want a tattoo nothing
more.
CUT TO:
SCENE 6
INT. LYNN’S LIVING
ROOM – DAY (LATER)
Lynn goes into her
living room and texts Ken.
Lynn’s Text: Are you free today at 12pm I'd like to get a tattoo?
Ken’s Text: Sure.
Here's my address 30724 stud Tuck rd. Ferndale MI
Lynn’s Text: Sounds great see you then.
CUT TO:
SCENE 7
INT. TATTOO SHOP –
DAY
Lynn shows a picture
to Ken.
LYNN
I’d like this type of tattoo…
(Points to her left arm)
…Right here.
KEN
Okay.
Lynn shows a second
picture to Ken.
LYNN
And I’d like this tattoo…
(Points to her right arm)
…Right here.
KEN
I will do my best!
LYNN (V.O.)
(Her thoughts)
If he fucks up my tattoos, I'll point my pistol
right up his ass and blow him away.
KEN (V.O.)
(His thoughts)
She probably likes me, that’s why she’s staring
at me this way.
CUT TO:
SCENE 7b
INT. TATTOO SHOP –
DAY (LATER)
Ken has finished
tattooing Lynn’s body.
Directors notes. When filming do a fade, between the 2nd
tattoo.
KEN
So what do you think, Lynn?
Lynn checks out the
tattoo on her left arm. It looks
fantastic.
LYNN
Great! I’ll refer you to anyone else looking to
get a tattoo!
KEN
Thanks, I really appreciate it!
LYNN
Always remember to appreciate the little things
in life.
KEN
I do.
He suddenly laughs.
KEN
You know, Lynn, I remember Rhonda talking about
you, back when we were dating. She told
me your name should be Trigger Gremlin, because all you do is annoy people
talking about tattoos.
For a moment, it looks
like Lynn is going to present her chest to Ken.
But then she pulls out her gun and shoots him. She has a silence on her gun, so it doesn’t
make all that much noise.
LYNN
Don't ever call me Triggered Gremlin!
KEN
Sorry!
It just slipped out…!
Lynn now looks at her
second tattoo, that’s on her right arm. It looks awful.
LYNN
You fucked up my other tattoo!
KEN
I followed your orders!
LYNN (hits a gun on his face)
No, you didn't!
If you weren’t wasted, you could’ve done it right, you fuck face!
KEN
Aaaaaah, help me! Call 911!
You shot me and I’m bleeding to death, you slut!
Lynn shoots Ken with her gun once again, going ever further out of her
mind.
LYNN
I'm not a slut!
But I can make you a man slut.
KEN
I… didn’t mean to say…
LYNN
Watch your filthy mouth next time, punk.
This is when she shoots Ken for the third time, blowing him away.
CUT TO:
SCENE 8
INT. LYNN’S KITCHEN – DAY
With a blank
expression on her face, Lynn walks into her kitchen, pours herself a bowl of
cereal like nothing happened. As she
eats, she begins wiping the silencer on her gun.
Rhonda, who had
overheard her entering the room, walks in.
RHONDA
So how did it go, getting your first tattoo?
LYNN (after she speaks she gives a crooked smile)
Oh, actually I got two tattoos.
Lynn shows Rhonda the
good tattoo on her left arm.
LYNN
I can’t help but love this first one I got!
RHONDA
Wow, it looks phenomenal!
LYNN
But the second one tuned out bad because he was too buzzed and he smeared it.
Lynn shows Rhonda the bad tattoo on her right arm.
RHONDA
(Trying to be funny)
Then kiss it and hug it and do whatever you
want with it.
LYNN
I’m a cold-hearted snake. I won’t give it affection.
(pauses momentarily)
Also, that Ken guy,
he had such a filthy mouth on him. How did you date the scumbag?
RHONDA
(Shrugs)
(He’s hot. Screwing him was fun.)
He’s a player
screwing him was fun.
He’s a player
screwing him was a never ending battle!
LYNN
Can you shut the fuck up? Tattoos are my thing, not screwing.
RHONDA
No wonder you just want to cover your whole
body with tattoos. No man would ever
want to screw you since you are already so screwed up.
LYNN
Dream on. I got plenty of offers.
RHONDA
That’s pathetic and you are too. You’re like a
Triggered Gremlin, ready to attack.
Lynn gets up in
Rhonda’s face.
LYNN
Don't piss me off. Ken made that mistake
earlier. So I shot him with my gun.
RHONDA
You’re being ridiculous, Lynn… you couldn’t
have killed him… right?
LYNN
(He called me names! Plus, I hated this tattoo
he put on me. So I blew him away.)
He called me names! Plus, I hated how he
smeared my tattoo being wasted. So I finished him off
RHONDA
I don’t want to hear any of this shit!
LYNN
(Looking crazy)
I still need to get more tattoos. Better tattoos!
RHONDA
Can you think about something else other than
tattoos?
LYNN
(No! I
want good tattoos! That’s why I shot Ken
blew his ass up in pieces!)
No! All
I want is perfect tattoos. That’s why I shot Ken blew his ass up in pieces!
RHONDA
I hope no one saw or heard!
LYNN
No, your friend is slick; I put a silencer on
my gun.
RHONDA
Just don't go shooting anyone else, okay?
LYNN
(Smiles)
I won’t.
(Then evilly thinks) If you piss me off you’ll be next.
Lynn takes a deep,
relaxing breath.
LYNN
Now I feel so much better.
Rhonda laughs
nervously.
LYNN
Do you know another tattoo artist, Rhonda?
RHONDA
No, do your own research, you goofball.
LYNN
Whatever, bitch!
RHONDA
I'm not a bitch. Try to respect me.
Lynn points her gun at
Rhonda.
LYNN
Right.
Rhonda leaves the
kitchen.
CUT TO:
SCENE 9
INT. LYNN’S LIVING
ROOM – DAY
Rhonda is now alone in
the living room.
RHONDA
(To herself)
The nerve of her, threatening me with that gun
of hers. She's a bitch!
FADE TO:
SCENE 10
INT. LYNN’S KITCHEN – DAY (LATER)
Lynn and Rhonda are
together, talking with each other. Lynn
is clutching her gun.
RHONDA
You’re so cold-hearted towards men. You should
learn not to be.
LYNN
I can't help it. I just can't stand how certain
men act. Verbally abusing me.
RHONDA
(Eyeing Lynn’s gun)
Guns aren’t always the answer, you know.
LYNN
Guns do help. Guns are my therapy.
RHONDA
You should seek therapy. You need to have your head examined.
LYNN
Now you’re talking like a doctor, but you are
not.
RHONDA
I’m close to getting my doctorate degree.
Rhonda begins writing
a list of hypnotherapists and their contact information for Lynn on a piece of
paper.
LYNN
(You’re probably lying about that, like most
people lie on social media.)
You’re probably lying about that, like most
pretend they are doctors and they are not.
They are sore losers in my category.
Rhonda finishes
writing the list and hands it to Lynn.
RHONDA
Here's a list of hypnotherapists that you can
see.
LYNN
Okay, Miss Getting-My-Doctorate.
RHONDA
Will you try to be open-minded about seeing a
hypnotherapist?
LYNN
I'll try to be.
I'm just a nervous wreck that's one of a kind.
RHONDA
Right on.
You go, girl, with that powerful spirit you have!
Lynn puts her gun
away.
LYNN
(I feel so great around you. I apologize with the way I've behaved
earlier. Deep down, I'm a nice person,
when I want to be.)
I feel so great around you. I apologize with the way I've behaved
earlier. Deep down, I'm a nice person,
but deep down I have anger building inside of me. (That’s blows out of control)
RHONDA
Aww, I understand.
Lynn begins pacing
back and forth.
LYNN
Yes, I can’t believe what I just did! I shot Ken! Oh, I have to learn to control my
rage!
I can’t just shoot anyone because I hate what
they've said or did. That’s almost as
bad as being verbally abusive!
RHONDA
Relax, it's over with. Stop pacing around like
a madwoman.
LYNN
I’m not mad.
I just have to figure out how to control my emotions.
RHONDA
You need a chill pill, Lynn.
Lynn stops pacing and
glares at Rhonda, deepening her voice as she twists her neck around.
LYNN
Don’t push me, or I’ll kill you too.
RHONDA
You’re screwed up, Lynn! You have nothing to live for!
LYNN
I have something to live for!
(Shows off her tattoos)
Check out these tattoos, bitch!
RHONDA
You’re a ruthless bitch with no heart.
Lynn brings her gun
back out and blows the tip of it.
LYNN
You act like a cry-baby. I killed your dumb,
drunken, stoner ex-boyfriend, who gives a shit!
RHONDA
At least I had a man once. No one wants a skinny pencil neck like yours,
no matter how many tattoos you put on it!
LYNN
Stop pissing me off!
RHONDA
I need to leave, you Triggered Gremlin.
Lynn pulls her gun out
and shoots at Rhonda, almost hitting her.
SCENE 11
EXT. LYNN’S
APARTMENT – DAY
Rhonda runs out of
Lynn’s apartment, leaving the door wide open.
Lynn takes a single step outside to scream after her.
LYNN
(Screaming)
Shut the front door, Rhonda! I feel dead, that's why I want to be covered
with tattoos!
Lynn turns around and
heads back inside her apartment.
LYNN
(Mumbling)
Gotta figure out who the fuck will do my next
tattoo?
Cut to
looking on her phone to figure out who will be the next tattoo artist.
CUT TO:
SCENE 12
INT. LYNN’S BEDROOM
– NIGHT
Lynn lays in bed,
writing in her journal. Weird voices
keep running though her mind. The
ticking noise is at an unbelievably loud volume. Outside, another thunderstorm kicks in.
WEIRD VOICES (V.O.)
[INDISTINCT MUTTERINGS]
Lynn narrates what
she’s writing, first speaking at a slow pace, then a medium pace then a fast
pace.
LYNN
(I feel that these dreams are getting to me; I
need to figure a way out how to pound them out of me.
I feel that these dreams are getting to me; I
need to slap them out of my head. I'm sick of hearing sounds that are
triggering me to want to shoot.)
-
I feel that these dreams are getting to me; I
need to slap them out of my head. I'm sick of hearing sounds that are
triggering me to want to shoot.
All the noises build
up louder and louder. Lynn covers her
ears with her hands.
KEN (V.O.)
(You killed me, you killed me, you killed me,
you killed me, you killed me, you killed me, you killed me, you killed me, you
killed me, you killed me, you killed me, you killed me, you killed me, you
killed me…)
You killed me bitch. You killed me. Now the
voices are out of your head.
LYNN
Ken’s voice… it's blowing up my eardrums!
CUT TO:
SCENE 13
INT. DR. EDWARDS’
OFFICE – DAY
Director’s notes:
The ticking sound starts talking to Dr. Edwards.
DR. EDWARDS is a
hypnotherapist. Lynn enters his
office. They shake hands.
DR. EDWARDS
Hello, Lynn. My name is Dr. Edwards. I am a hypnotherapist. So what brought you in today?
Lynn sits down in a
chair.
LYNN (changes the tone of her voice- speaking
slow, medium to fast pace)
It was awful! I heard the storm and the ticking
woke me up. It was pounding in my head like a jackhammer out of control. But worst of all was probably Ken’s voice.
DR. EDWARDS
Try to breathe in and out steadily. Speak a
little slower. This way I'll hear you
clearly.
Lynn follows Dr.
Edwards’ instructions.
LYNN
I can see Ken’s ghost hunting me. His voice doesn't leave my head. Pounding
like a fucker out of control. He smeared
my tattoo and I got him back. What do you suggest I should do?
DR. EDWARDS
Learn to unwind before sleeping. This way you
can relax your head that head of yours, but don't think of Ken before you
sleep.
LYNN
(Fidgets as she speaks)
I have a
hard time relaxing. These dreams are consuming every inch of me!
DR. EDWARDS
Have you've tried breathing exercises before
sleeping?
Lynn starts talking at
a rapid fast pace, then slows to a slower pace.
LYNN
No. I feel a shortness of breath when my mind
races. Maybe my dreams are giving me a message. At times it happens when I'm
showering; I’m suddenly out of breath and my chest pounds quickly.
DR. EDWARDS
Try a warm bath. It can do you good!
LYNN
My dreams are creeping me out!
DR. EDWARDS
Then stretch until you feel better. I believe that will make your pain will go
away.
Lynn tries stretching,
just like Dr. Edwards said.
LYNN
Okay. Thanks. My dream is repetitive and it's
haunting me, so these days, I try to stay up so I won’t fall asleep.
DR. EDWARDS
Breathing exercises is the best way to go. Try slow breaths for 5 minutes a day. If that
doesn't work, try meditating.
LYNN
(Hits her head as she’s talking)
I only feel relaxed when I'm in the bath, but
my fucking next-door neighbors are constantly running up and down the stairway;
it’s very annoying! I'm struggling and my bones are aching this horrible dream
keeps hitting my conscience, like a time bomb ready to explode.
DR. EDWARDS
Wow. Try
sleeping somewhere different. It might help.
LYNN
Since my grandma died, I've been sleeping on
the couch. It’s sort of like house
surfing.
I didn't want to sleep in that old bed of hers.
DR. EDWARDS
No wonder your body is aching. You need to
sleep in your bed.
LYNN
That’s impossible I need to sleep on the couch
it’s more stable for me and comfortable. Because I'm an antsy person. But
lately my neck and shoulders started aching.
Dr. Edwards brings out
an unusually-shaped pillow and holds it out towards Lynn.
DR. EDWARDS
Then I recommend you use this pillow for your
neck.
LYNN
I'd feel awkward sleeping with that type of
pillow.
DR. EDWARDS
Give it a shot.
(He hands the pillow to her)
Here you go.
LYNN
I really appreciate this. Do you recommend anything else?
DR. EDWARDS
Just stretching exercises and breathing
techniques.
LYNN
Thank you, Dr. Edwards. Hopefully, my awkward
dreams will stop, and they won’t consume me and drive me nuts.
Dr. Edwards brings out
a wand.
DR. EDWARDS
(Oh, and also, I’m going to wave this wand in
front of your face.)
This wand will help you, so relax your mind and
watch this!
He waves the wand in
front of Lynn’s face in a hypnotic way.
DR. EDWARDS
Just follow this wand with your eyes, it will help you. Keep following
it.
Lynn follows Dr. Edwards’ instructions.
Her fidgeting starts to relax. She falls asleep momentarily, then wakes
up.
DR. EDWARDS
(Still swinging his wand)
Now how do you feel?
Lynn blinks.
LYNN
Where am I at?
Am I safe or do I need my gun?
DR. EDWARDS
You’re in my office. I'm Dr. Edwards.
LYNN
Yes, I remember your name. What do you think that I'm some sort of
idiot?
DR. EDWARDS
No, I'm just doing my job.
LYNN
I feel better around you, Dr. Edwards.
Dr. Edwards looks at his watch.
DR. EDWARDS
Good.
Well, we’re out of time. Keep on
writing in that journal of yours… it’s been marvelous for your mental health,
and it will continue to help you sort out your emotions.
Your session is now over with, have a great
day!
Lynn and Dr. Edwards shake hands.
LYNN
Thanks, Dr. Edwards, you’re a big help.
CUT TO:
SCENE 14
INT. LYNN’S LIVING
ROOM – DAY
Lynn goes back
home. Lynn’s mumbling to herself while
walking back into in her apartment.
Rhonda’s sitting on a chair, reading a book, and spots Lynn when she
comes inside.
RHONDA
Hello, Lynn.
How did therapy go with Dr. Edwards?
LYNN
Dr. Edwards was a big help.
RHONDA
Oh, that’s great to hear, so what do you think
about cheeseburgers for din…
LYNN
(Suddenly screaming)
All this pressure is building inside my
head! It’s driving me out of my mind;
I’m like a walking bomb ready to explode!
Tick, tick, tick, is all I hear in this damn head of mine!
RHONDA
(Alarmed)
I…!
We can hear the Weird
Voices again.
WEIRD VOICES (V.O.)
[INDISTINCT MUTTERINGS]
LYNN
No one knows what it’s really like to be
me! Constantly fighting with
myself! Why do I sleep with a gun under
my pillow? Life is hard!
RHONDA
You need to tune everything out and try to
relax!
LYNN
You sound like a therapist, Rhonda.
RHONDA
I'm intelligent enough to be one.
LYNN
But I already have a therapist. Earlier, I told
you that I am seeing Dr. Edwards and he’s doing hypnosis on me. He’s been
super-helpful!
RHONDA
(Sarcastically)
Clearly.
LYNN
These horrible nightmares will soon clear up. I
sense it.
RHONDA
You sound like a psycho. Have you ever thought about turning yourself
in to the police? You did murder Ken,
after all.
LYNN
(Ignoring her)
I'm glad Dr. Edwards is helping me through this
awful experience.
RHONDA
Stop making yourself crazy. Learn to take it easy like me. You don't need to be a hot mess like your
room is.
LYNN
I know.
At least I'm a hot mess.
RHONDA
We both can be hot messes together.
LYNN
Oh yeah. Let’s cheer to that, girlfriend!
RHONDA
Girl, if I was gay... you'd drive me absolutely
crazy with all your craziness. Kind of
like you’re already doing right now.
LYNN
Fuck it, I'm not into that crap.
RHONDA
Same here.
LYNN
My goal in life is to fill my body with tattoos
and don’t think sex when I say fill.
RHONDA
I know, you told me this many times. Mrs.
Repeat.
LYNN
I have?
Okay then, I can’t think of anything else I want to talk about right
now. So I guess I’ll take a nap.
Lynn goes into her bedroom to take a nap.
CUT TO:
SCENE 15
Directors notes. Scene 7b will reflex back
here. This is when Ken gets killed
INT. LYNN’S BEDROOM – NIGHT (DREAM)
Lynn is hallucinating in her dream. When Kens ghost appears.
Ken’s ghost is standing right by Lynn’s bed, still bleeding from the
many bullet holes that Lynn put in him back when she killed him.
KEN
Hi.
Lynn springs up in bed, pulls her gun out from under her pillow and
opens fire on Ken, putting more new bullet holes in him. He’s driven back into the wall.
CUT TO:
SCENE 15b
INT. LYNN’S BEDROOM – NIGHT
In the real world,
Lynn springs up in bed again, and grabs her gun. She starts shaking. Her legs are fidgety, and she tries to do
breathing exercises, but she’s experiencing shortness of breath. The ticking noise is back. Staring at the
clock that stopped ticking.
She begins tapping (in
a non-suicidal way) one part of her gun against her head.
SARA
Lynn, are you alright?
Sara comes in. Lynn lowers her gun.
LYNN
No. I killed Ken in my dream, then I woke up. It disturbed me, Sara. Look at how disturbed
I look!
SARA
Did you really kill Ken, like Rhonda said you
did? Or are you shitting me?
Lynn is suddenly
confused, alternating the speed that she talks at once again.
LYNN
My delusional dreams are telling me that I did.
But I really can't shoot anyone. I'm not like that!
SARA
I think you have short-term memory problems,
Lynn. I also think you might be in
denial. Like you always are.
LYNN
Good thing I started seeing Dr. Edwards. He's the best hypnotherapist around town.
SARA
Sounds exciting!
LYNN
It is. I'm learning some breathing
exercises. But I really should be doing
yoga.
SARA
Yes, yoga helps. It will help get your body toned. I do yoga
myself.
They fall silent for a
minute. The ticking noise ticks
prominently.
LYNN
You know, now that I think about it, I’m pretty
sure it was that ticking sound that drove me out of my mind. I couldn't relax.
Then Ken’s voice kept coming into my head!
SARA (looks at the clock that stopped)
Ticking?
LYNN
That ticking sounded like a volcano in my head
that was about to explode!
SARA
Maybe it’s a smoke alarm that needs new
batteries…? I don’t know, I didn’t hear
any ticking.
Then Sara leaves the
room and Lynn falls back asleep.
CUT TO:
SCENE 16
INT. LYNN’S BEDROOM – NIGHT (DREAM)
In her dream, Lynn
sees a shadow of Ken behind the bed post
Ken’s shadow takes
Lynn’s gun straight from her, then points it straight at her, like he’s about
to get revenge.
KEN
You bitch!
I went out of my way for you. And
you blew my head off. So I'm back!
LYNN
Well, if you did my tattoo right, you wouldn't
have gotten blown away by my pistol!
KEN
Now it’s your turn, you crazy blabbermouth
freak!
Then Ken shoots her
straight in the head. Lynn’s body slams
backward, her head landing straight on her journal, oozing blood.
CUT TO:
SCENE 17
INT. LYNN’S BEDROOM – NIGHT
Lynn wake up and
shakes as her blanket falls right into her face. Then she looks underneath her
bed, looking for Ken.
LYNN
Ken?!
Ken, are you under my bed?!
Ken’s not there. Lynn starts freaking out again.
LYNN
I don’t understand how all this is happening to
me?!
She lets her head
hit the pillow, squeezing her eyes shut while tossing and turning.
CUT TO:
SCENE 18
EXT. FOREST – NIGHT (DREAM)
Now Lynn’s having
dreams on who to kill next. One by one,
MANY RANDOM MEN AND WOMEN appear in front of her, and as soon as she sees them,
she shoots each one of them with her gun.
Each person dies a bloody death from their gunshot wounds.
LYNN (V.O.)
I need to shoot everyone and put them all out
of their misery. They should be destroyed!
Whenever they piss me off, they need to be shot! When things don't go my
way. I need to shoot whoever the fuck I see!
Whoever fucks with me and abuses me needs to be
shot and put out of their misery.
CUT TO:
SCENE 19
INT. LYNN’S LIVING ROOM – DAY
Director’s notes:
Lynn is feeling delusional as she sees the room spinning.
Lynn is back up
again, talking to herself in the living room, pointing her gun around at random
things and everything in the room is spinning out of control.
LYNN
I'm not perfect. I'm trying to be cheery in
this fucked up world. It’s so
aggravating!
SARA
Calm down, Lynn! Get your head straight!
LYNN
I can't. I feel like I've been sleepwalking
through life.
(Holds up her gun)
And this is my only protection. My best friend, who won't ever talk back to
me. Not like my ex-boyfriend. He never
shut up.
SARA
You had a boyfriend?
LYNN
Yeah, His name was Don. Don was annoying and he
kept saying stupid things. I should have
shot his mouth off long ago. Maybe it’s
not too late…
SARA
Just use your imagination. It’s safer than
spending your life behind bars for your ex.
LYNN
Got a point, he's not worth doing time for.
SARA
Yeah, especially when you’re already gonna get
locked up a good two decades or so for what you did to Ken.
LYNN
Nuh uh!
I only killed Ken in my dream!
SARA
Sure thing, Lynn.
LYNN
Want to see something cool, Sara?
CUT TO:
SCENE 20
INT. LYNN’S BEDROOM – DAY
Now Sara and Lynn are
in Lynn’s bedroom. Lynn shows Sara a
teddy bear.
LYNN
I got a new teddy bear. I feel like it helps
out with my therapy. Ever since COVID-19, there’s no one to hug, since most
people are afraid of catching the coronavirus by a simple hug.
SARA
It’s straight-out crazy.
LYNN
Yup. Plus, I heard that until 2022, we all must
wear our masks in Michigan.
SARA
That’s insane.
LYNN
I’m so angry!
I hate having to wear masks every damn day on the calendar!
I want to tear the damn mask off my face and
shred it to pieces! Halloween only comes
once a year, damn it!
SARA
Amen, sister!
FADE TO:
SCENE 21 (Lynn’s
hair is messy)
INT. SARA AND
RHONDA’S BEDROOM – DAY
Sara and Lynn are now
continuing to talk in the bedroom where Sara and Rhonda sleep. Sara and Rhonda each sleep in their own
separate beds on opposite sides of the room.
Rhonda and Sara each decorate their half of the bedroom in different
ways.
Lynn’s hair is messy.
LYNN
I feel like I'm losing it over tattoos. I'm beginning to forget when my appointments
are.
I'm a complete mess.
SARA
You need to chillax with me.
LYNN
I can't. At this moment. I feel like I'm in a
dark place and there's no one to talk to.
Sara hands Lynn a
pill.
SARA
I can picture that. Here's a calm-down pill to
relax your nerves.
But Lynn turns away
from the pill, rejecting it.
LYNN (holds the gun straight on and rubs it)
It's not going to help me. I'm over it.
Just like I’m over my ex. Our
strong friendship makes me feel empowered, Sara! Just like I feel empowered holding this gun!
SARA
Yup, our strong bond has kept us together over
the years!
LYNN
True! I
love the way we both make heads turn when we are together!
Cut to Lynn going away
to go to her bedroom.
SCENE 22 (Lynn is dreaming)
INT. HALLWAY – NIGHT (DREAM)
Lynn is dreaming that she’s in a
mysterious hallway. She walks a little
bit down the hallway, and she turns into a LITTLE GIRL in the past. She walks a bit further down the hallway, and
she turns back to herself in the present.
She keeps walking down the hallway, and the scene keeps splitting
between herself as a little girl in the past, and the adult version of herself
in the present.
Split the scene between past and
present.
CUT TO:
SCENE 22b
INT. LYNN’S BEDROOM - NIGHT
Lynn wakes up in bed. It’s storming again and the ticking sound is
back. The room is spinning crazily. She looks from side to side in confusion.
LYNN
What day is it?
Breathing heavily, Lynn grabs a bottle of
water and drinks it quickly.
CUT TO:
SCENE 23
INT. DR. EDWARDS’
OFFICE – DAY
Lynn is having another
therapy session with Dr. Edwards.
LYNN
I keep getting my days confused. It's Monday and I
felt like its Friday.
DR. EDWARDS
No wonder you came in last Wednesday in with no
appointment
LYNN.
I felt like I need attention like a baby in a crib.
DR. EDWARDS
Wow. Go on.
LYNN
I was annoyed. Always fighting with myself. I didn't
know what to do or who to talk to, so I came to you. I keep having these
disturbing dreams. That are driving me insane!
Dr. Edwards brings out his
hypnotic wand and starts waving it around hypnotically. Lynn follows it with her eyes.
DR. EDWARDS
Just watch this. And follow it
very carefully. Keep your eyes on it. There now how do you feel?
She shuts her eyes and
then reopens them.
LYNN
Way better! I feel like a fresh new person, ready to
take on the world.
DR. EDWARDS
Good. Also how have the breathing exercise been
working for you?
LYNN
Okay. I'm still trying to get a hang of it.
DR. EDWARDS
It takes dedication to just do it a few minutes a day.
If you get yourself into it will work.
LYNN
Thank you. My dreams are making feel so out of place. Maybe I'm just becoming
psychotic.
I fear that if I fall asleep, these horrible nightmares
will come back to me, all pounding in my head all at once.
DR. EDWARDS
Sleep is important, so don't lose sleep over
anything.
Suddenly, illogically,
Sara is there, sitting next to Lynn! She
thrusts a pill at her.
SARA
I’m telling you to take these muscle relaxers!
They work for me!
Lynn turns towards
Sara.
LYNN
Pills don't help, Sara! I told you this before. But seeing Dr. Edwards sure helps me
emotionally!
DR. EDWARDS
Who are you talking to, Lynn?
LYNN
I’m talking to Sara, of course!
Lynn turns back to
Sara, but there’s no one there.
DR. EDWARDS
Nobody is there, Lynn. It’s just the two of us.
Lynn and Dr. Edwards
both look worried.
CUT TO:
SCENE 24
INT. LYNN’S BEDROOM – DAY
Lynn is with Sara in
her bedroom.
SARA
You need a change of pace. Try to sleep in a different bed.
LYNN
I wish it were that easy, but my dreams are
pounding in my head like I'm turning into a psychotic fool. I'm not like I used
to be.
SARA
Don't let your dreams get to you. Try to train your mind to behave with some
nice jazz music, it with soothe your nerves.
LYNN
How can I train my mind if my dreams are taking
over!
SARA
Well, that's why you have Dr. Edwards! Just
keep seeing him; I'm sure he will help you find peace though hypnosis.
LYNN
I hope the hypnosis works. Then finally I can
get some sleep peacefully like I'm fucking dead.
SARA
Stop talking that way.
LYNN
Sorry, I just don't know what to do
anymore! I feel like I'm in a roller
coaster ride that's out of control. It's
like being on uppers, then downers, then uppers again! I'm about to lose it!
SARA
You won't lose it. It’s all in your head!
LYNN
It’s not! My repetitive dream has gotten to
me! I need a hot steamy bath. But don't get dirty thoughts about me
bathing,
Sara! I’m not a sexual whore so don’t have
think filthy thoughts!
SARA
I’m not interested in you like that either,
Mrs. Joker.
Sara checks her watch.
SARA
I gotta go.
Enjoy your bath. See you later!
LYNN
(First looks serious, then giggles)
Sure, if I don't blow my head off by the time
you get back!
SARA
(walking out)
Whatever. You won’t. The ones who talk about it
don’t do it.
You won’t
CUT TO:
SCENE 25
INT. LYNN’S BEDROOM – DAY (DREAM)
Lynn is talking with Sara again.
LYNN
I heard that it can take twenty-one days to
make a change.
SARA
I read about that as well. That's true I know
for a few people I know who have changed.
LYNN
Good, then I’ll keep at it! This way I can feel better and learn to
control my emotions.
SARA
I believe that we all have psychotic potential
within us. My dad used said that.
He thought I was a weirdo. So… go with what you feel?
Lynn grabs the gun
from underneath her pillow and shoots Sara, who falls down dead.
SCENE 25b
INT. LYNN’S BEDROOM - NIGHT
Lynn wakes up from
bed, grabs the gun from underneath her pillow and looks on both sides of her
bed with a psychotic look on her face. She sleeps with one light open.
LYNN
(I feel that there's something wrong with
me! I’m dreaming horrible dreams again!)
I feel that there's something wrong with my
head. My dreams are directing me as they
are destroying me.
Sara is also in the
bedroom with her.
SARA
Girl, it must have been the full moon that
caused you to have that dream.
LYNN
Whatever caused it, it was horrible! Thank god
for Dr. Edwards, he really can zap those bad thoughts out of my mind like a
magician using his wand.
SARA
That’s great.
LYNN
It may take me some time, but I’ll learn to
break free of my dreams and be normal again.
SARA
There’s no such as normal. I've checked out a
book on that topic and misplaced it.
LYNN
Right.
You know what I mean. I'm really
blessed to have you in my life, Sara.
SARA
Aww, thank you. I feel privileged. I'm sure
that there is something about me you hate.
LYNN
(looks serious like she’s having a breaking
down)
Yes, I can't stand how you always think that
I’m making excuses when I’m not! The sun
really WAS in my way was I was driving that one day! So I started to drive in
the other lane! By mistake!
SARA
I’m sorry, but I can’t even remember what it is
you’re talking about.
LYNN
(bitterly)
No one’s perfect, just you, Sara!
SARA
I'm just organized not perfect, but everyone
needs work on perfecting themselves.
LYNN
(looking calm and crazy at the same time)
Your right, but the full moon can drive anyone
crazy. I'm just a psycho one that needs
to be tamed. Even some hot GQ-looking
man couldn't tame me!
SARA
Just use handcuffs.
LYNN
Alright.
Each time you organize things for me, I’ll get you anything you need.
SARA
(Looking dissatisfied)
You only ordered me two pairs of shoes, big
deal.
LYNN
No, you forget other things! You just have a short-term memory. I can't name them all, but I've got all these
receipts, check them out.
Lynn pulls some
receipts from a drawer and shows them to Sara.
SARA
Well, you’ve got a point.
Lynn puts on a
fashionable outfit, and looks at herself in the mirror, striking a pose.
LYNN
I always make my point.
SARA
You wear that well.
LYNN
I try to. Thanks for you being my fashion
consultant.
CUT TO:
SCENE 26
INT. LYNN’S BEDROOM
– DAY
Sara sees Lynn write
in her journal and sneaks behind her and takes away her journal from her
purposefully.
SARA
(Trying to disturb her purposefully)
You should learn to pick up after yourself! You
act like a 5-year-old!
LYNN
No, I don't!
Can you quit acting that way? I'm
trying to write my feelings in this journal so I can learn to control my
emotions!
Sara hands Lynn a
squeeze ball.
SARA
You’re like a total whack-job, going out of
your mind! So use that squeeze ball, it helps.
LYNN
Perfect timing!
Lynn proceeds to
squeeze the squeeze ball. As she does,
the ticking noise returns, and it upsets her.
LYNN
Again, I hear that ticking sound! It's driving
me bonkers! I don't know what to do anymore!
Lynn pulls out a
bottle of pills and swallows a bunch of them.
SARA
Calm down. It's probably just the wind. I don't
hear anything.
LYNN
(Angry look)
I heard it.
SARA
You’re hallucinating. I believe the pills you
are taking are making you hear voices in your head.
LYNN
I know, plus the ticking sound is moving things
around and is hitting my eardrums as fast as speeding bullets.
Lynn takes another
pill.
SARA
I suggest you not to take the same pill. Try to
switch things up a bit. Go find some
different-colored, different-sized pills, and take those instead.
LYNN
Right on, Dr. Sara, I better move on and
continue writing in my journal.
SARA
(Speaking rapidly)
Gotta run anyways, I got homework to do.
LYNN
Alright.
You should speak slower maybe I'll understand you more.
SARA
Adios. I got shit to do.
Sara leaves the room,
slamming the door behind her. That’s
when Lynn starts writing like a maniac, while squeezing her stress ball.
LYNN
(Narrating what she’s writing)
I feel nuts and stressed out and out of my
mind. Just don't know what’s happening to me.
Even this stress ball isn't working well. It's making me feel crazy like I already am. What am I going to do?
Then Lynn stops
writing as she hears the voice of Dr. Edwards in her mind.
DR. EDWARDS (V.O.)
Do breathing excises and just keep writing in
your journal.
CUT TO:
SCENE 27
INT. LYNN’S KITCHEN – DAY
Director’s notes: Lynn is frustrated because of Sara as she’s mumbling
writing in her journal.
Lynn is once again
writing in her journal like a madwoman.
LYNN
(Narrating what she’s writing)
She pisses me off. All the time. She talks too fast and she thinks that I
don't listen.
She stops writing for
a moment to hold her head like she’s losing it.
LYNN
(I was hit as a kid and this stupid dream of
shooting Ken the tattoo artist is repetitive and stuck in my head. I should disappear.)
I was hit as a kid and this stupid dream of
shooting Ken the tattoo artist is repetitive and stuck in my head. I should disappear off this face of the
earth.
Sara enters the
room.
SARA
Wow, you’re writing fast. I should learn to
write in a journal too. I wish that I
can be like you too.
LYNN
No one really wants to be like me. My life is
fucked up and I'm always slipping in and out of my dreams. At times, I can't figure out if I'm dreaming
or wake.
SARA
You’re awake and I'm talking to you besides
most of your dreams are about tattoos.
LYNN
Pinch the fuck out of me. Then I'll know what
to do.
Sara pinches Lynn.
SARA
There you go. You’re not a lost cause, you
know. But it's a screwed-up world we
live in.
LYNN (leans towards her and grabs her shoulder)
Just listen to me. I need someone to speak to. I'm crying for
help.
SARA
Alright. I'm here for you, as always. I can
figure you out like the back of my hand.
LYNN
You act like you know it all and you don't.
SARA
I do. I
know what you like when I flash people you get a kick out of it. It kind of
soothes your mind, I can see it. And my
voice is soothing, so it relaxes you, and inspires you to write.
LYNN
Stop that!
I'm trying to change my ways by writing out my fucking thoughts. You
totally are an inspiration, but you don't know me as much as you think you do.
Then Sara moons Lynn.
SARA
I know what stirs you up. I know what shuts you up.
LYNN
Mooning me doesn't work. I'm not into asses
like my ex was.
Sara pulls her pants
up.
SARA
Sorry. I
was trying to distract you from writing in your journal.
LYNN
Like I said, please leave. I have to keep writing
in my journal. I'm putting you in
timeout.
SARA
At least you are trying. I'm dying trying and
you don't give a shit.
LYNN
I do, I'm just a cold-hearted lizard at this
point.
SARA
Well. I'm warm-hearted since I'm hot-blooded,
and I'll always have a warm heart, to help you out with any problems you have.
LYNN
I understand. Sorry, not trying to sound rude,
I just need my space.
SARA
(looking innocent, folding her arms)
Okay, I won't try to take away your notebook
this time.
Sara laughs evilly as
she leaves the room, maybe to go out for a smoke.
CUT TO:
SCENE 28
INT. LYNN’S KITCHEN
– LATER THAT AFTERNOON
Director’s notes: Each
time she listens she hears the storm sounds in her ear drum.
(Show both sides
holding her ear drums)
While continuing to
write in her journal, Lynn keeps hearing that ticking sound and she puts her
hand over her head. Then she suddenly hears a whistle in her eardrums.
LYNN
There’s something wrong with me! Now I hear whistling in my ear drums.
Sara comes into the
room and pats Lynn on the back.
SARA
You can get better. It’s simply a matter
of time.
LYNN
You’re right.
I bitch all the time, but I'm improving each time I write my emotions
down in my journal.
SARA
Good, keep it up. Just like my boyfriend’s
dick, each time I took my shirt off.
LYNN
Ha ha. Later, Sara, I just remember that I have
to see Dr. Edwards.
SARA
Just don't wear an open shirt by him.
LYNN
Just think: we are soul mates, no exaggeration.
SARA
That’s true. See you, wouldn't want to be you.
LYNN
Bye.
Sara leaves. Lynn laughs evilly as she narrates what she’s
writing in her journal again.
LYNN
Deep down, I really want to be like Sara.
Maybe, one day, my dream will turn into reality.
CUT TO:
SCENE 29
INT. DR. EDWARDS’
OFFICE – DAY
Directors notes:
Lynn will have a journal in her hand. As Doctor Edwards looks up,
DR. EDWARDS
Lynn, how are you doing today?
LYNN
Last night’s storm woke me up and I heard the
same ticking sound, and I thought it was in my head.
And April just started and it snowed! What’s up with that?
DR. EDWARDS
Maybe Mother Nature is just feeling silly,
since today is April Fool’s Day.
LYNN
You’re right. She's probably feeling evil now.
And my own dreams keep creeping me out.
What do you suggest, Dr. Edwards?
DR. EDWARDS
Just say this to yourself before you go to
sleep: “This has to stop.” This is the way to convince yourself.
LYNN
Every time I try to convince myself. I go out
of my mind. A negative change will drag
me down and I struggle to pull myself together.
These haunting voices in my head are getting to me.
DR. EDWARDS
Maybe the weather is getting to you. Try unwinding by listening to classical music
before you sleep. And also continue your
breathing exercises.
LYNN
I'll give it a shot.
DR. EDWARDS
How’s it going, sorting out your emotions in
your journal?
LYNN
Pretty good.
DR. EDWARDS
How does it make you feel?
LYNN
Better. The wind has stopped and that ticking
in my eardrums have stopped.
DR. EDWARDS
Good.
Keep writing out your daily thoughts.
LYNN
Thanks.
Before seeing you, I eat and write in my journal at the same time. It’s sort of like burping and farting at the
same time.
DR. EDWARDS
(Giggles a little then says)
Good. Read me what you've wrote.
Lynn brings out her
journal and proceeds to read.
LYNN
I want to be like my best friend, Sara. At times, I adore her to the T, but at times
she pisses me off.
I think I understand my dream thoroughly.
DR. EDWARDS
Great. You’re on the right track. My advice for
you is to keep on with what you’re doing.
I look forward to hearing about your progress in our next session!
LYNN
Oh, I will.
Lynn almost hugs Dr.
Edwards, but he backs away.
DR. EDWARDS
Can't hug you. I'm trying to stay safe. The CDC says we all need to stay six feet
away from each other.
LYNN
Don't worry I will just give you a virtual hug.
Lynn hugs the air in front of her.
DR. EDWARDS
Alright.
Bye!
LYNN
Bye!
Lynn leaves Dr. Edwards’ office.
CUT TO:
SCENE 30
INT. SARA AND RHONDA’S BEDROOM – DAY
Rhonda and Sara are
talking together in their bedroom. Sara’s wearing a low-cut shirt.
RHONDA
Everyone I know online is crazy. Why would anyone date online?
SARA
That’s what’s “in” now, Rhonda. Just like weed
is in.
RHONDA
It's like saying that Lynn needs a dose of you.
You’re like her drug.
SARA
You’re right.
She just stares at me with those dreadful eyes, all the time.
RHONDA
Well, good thing I’m not like that. I'm unique
and one-of-a-kind. Most people know it.
SARA
Pretending to be innocent! Deep down, you’re a
slut!
RHONDA
I'm no slut!
I'm selective, unlike other women.
SARA
Well, most men online think only about sex. I
was like that myself, since I was a sex freak.
See, you have to play men and think like one.
RHONDA
Well, I don’t play anyone. I don’t have time
for games, especially not on April Fool’s Day.
SARA
Good for you, then. I tricked a few friends and
pretended that I had a crush on them.
Then I said, “April Fools!”
RHONDA
Did anyone believe you?
SARA
They sure did!
RHONDA
Girl, you’re too much.
SARA
Well, I'm just being me.
RHONDA
I can see that.
Now put away your tatas.
SARA
It's hot out and these need to be out.
Rhonda walks away.
CUT TO:
SCENE 31
INT. LYNN’S BEDROOM
– DAY
Directors notes:
Every time she’s in
bed she hears the ticking sound constantly and the clock not moving.
Then rubs her eyes.
Lynn and Sara are
talking again in Lynn’s bedroom. While
Lynn is sitting on her bed, then bed is spinning in a nightmarish way. And the ticking noise is back.
LYNN
Why is this happening? Why is the ticking sound back?!
SARA
Cool off!
You are awake now. That noise you
hear must be in your head, since I don't hear it.
Lynn brings out a
hammer.
LYNN
Yeah, I should knock some sense into myself
with this fucking hammer!
SARA
You’re not a cartoon character, Lynn.
LYNN
(Brings out her gun)
Then let me just use my fucking gun! This way I won’t hear the ticking any longer!
SARA
Stop talking that way!
LYNN
I can't help that I let these thoughts get to
me!
Sara hands Lynn a
jigsaw puzzle.
SARA
You can snap out of it with this jigsaw puzzle.
These pieces can help you piece your life together.
LYNN
Sounds good. Maybe it will help me sort out my
life, bit by bit.
SARA
And I know you'll get better with that
puzzle. Piece it together. I know you
can.
Lynn proceeds to work
on the jigsaw puzzle.
CUT TO:
SCENE 32
INT. LYNN’S BEDROOM – DAY (LATER)
Lynn is struggling
with the jigsaw puzzle. Her hair has
become messy. So has her room.
LYNN
I'm disorganized and my room is a mess.
Sara is cleaning and
organizing Lynn’s room for Lynn.
SARA
Well, that's why I'm here. To help you organize
your shit.
LYNN
I wish that I could be like you. You’re so driven, while I'm just driveling
nuts.
SARA
I believe people just make themselves crazy.
LYNN
Or people’s dreams can get to them.
(Deepens her voice)
Like they have gotten to me. Fuck Carrie, I'm worse than her.
SARA
I won't fuck her. Obviously, I'm not into ladies, but I love
flashing anyone I see just to show off my rack.
LYNN
It's just a figure of speech.
SARA
Whatever. I'm not turned on by you saying the
word “fuck!”
LYNN
You can turn on the lonely mailman.
Lynn points out the
window, the MAILMAN is passing by.
LYNN
There he is!
SARA
No thanks, but if I did flash him and tease him
then the idiot will be hooked on me, and he’ll want to “get some” from me.
LYNN
Speaking of getting some, for three years I
haven't gotten laid, so maybe this time around, I should give some idiot a
chance.
SARA
Wow, sex isn't the only thing that matters,
girlfriend. First work on yourself and your mental issues.
LYNN
I know, but I feel like I need some soon. Maybe
that loving feeling will make me feel normal.
SARA
No one is completely normal, or maybe it takes
years of mental therapy to get that way.
LYNN
I know, look at me! You will never meet anyone
like me. Sometimes I scare myself.
(Then she looks into the mirror while saying
boo)
Boo!
SARA
I know. I see you every day. We almost mirror each other.
LYNN
I feel like a prisoner. Once I pull the shackles off, I'll be free as
a fucking bird.
SARA
Free at last!
LYNN
Free from my worries!
SARA
(Checks her watch)
Be sure you take your medication, I’m out of
here.
LYNN
Okay, Dr. Edwards.
Sara frowns at Lynn.
LYNN
Oh, I forgot you're not him.
SARA
See that’s the first sign of insanity. I'm out
of here.
Sara leaves the
room. Lynn writes in her journal again.
LYNN
(Narrating what she’s writing)
I should just try to unwind and relax my eyes.
And try not being the zombie I already am.
She looks into a
nearby mirror.
LYNN
I mean, I'm not a zombie I just tend to look
like one.
The ticking noise
returns. Lynn writes some more in her
journal.
LYNN (she points to her head saying that
looking crazy)
Tick, tick, tick. That sound has gotten into my head and it
can't get it out. No one cares or sees
what I'm going through. The ticks are
inspiring me to go on a rampage and shoot every fucker that verbally abuses
women. What’s wrong with men? They should learn to have manners.
I'll show them manners by shoving bullets up
their asses.
(Looks evil)
Like what I did to Ken.
Lynn holds her gun up
with crazy eyes and blows the tip of it.
LYNN
I'll show men who's boss. I have the power over
you all bitches. You'll all be my
bitches in no time.
CUT TO: Lynn going to the kitchen.
SCENE 33
Director’s notes:
Before the scene show Lynn take another pill and it affects her
INT. DR. EDWARDS’
OFFICE - DAY
The next day, Lynn is
back at Dr. Edwards’ office.
DR. EDWARDS
How are you feeling today? Can you tell me what you've written in your
journal?
'
LYNN
(Reads her journal)
At times, my dreams are making me feel like an
alien. I'm dreaming in different sections, sort of like a movie, flicking
away. I feel insane hearing that
flickering sound. Again, I'm dreaming
about things that don't exist. I don't know what going on with me?!
DR. EDWARDS
It's just windy out a lot these days. That might be the reason. The wind is affecting your dreams!
LYNN
I think it’s these pills. Can you please prescribe something new?
DR. EDWARDS
Take the medication I put you on. It can make you feel better.
LYNN
Remind me: how many do I have to take a day?
DR. EDWARDS
Three times a day, right after meals.
LYNN
Alright. I'll give it a go. Thanks, Dr.
Edwards.
DR. EDWARDS
You’re welcome. See you Thursday at 3pm.
LYNN
(Looking happy)
Adios, until next time!
Lynn leaves the
office. Dr. Edwards looks impressed
while jotting notes down on his paper.
CUT TO:
SCENE 34
INT. LYNN’S KITCHEN
– DAY
Lynn is working on the
jigsaw puzzle again. Today, she happens
to be wearing a shirt with a pizza on it.
Sara enters the room.
LYNN
How’s it going, Sara? Do you think that most
people have personality disorders?
SARA
Yes, plus it’s a freaky world because so many
people make themselves freaky. Including
myself.
LYNN
You’re right. Also, they say freaks come out at
night. I think they are too ugly to show
their face in the morning.
SARA
You nailed it.
LYNN
I'm like everyone's therapist even though I
have a therapist.
SARA
Don't fool yourself on April Fool’s Day.
LYNN
I'll try not to. But don't fuck with me, because I know you
love lying.
SARA
I don't I just fool people on April Fool’s day.
It's normal to do that.
LYNN
(Looking insane)
There’s no such thing as normal. Look at me.
SARA
I know you're like a flipped-out version of
Carrie.
LYNN
Don't compare me to others, I’m unique.
SARA
Crazy people never want to be compared to other
crazy people.
LYNN
It takes one to know one.
Sara takes out a wine
bottle, uncorks it, pours herself a cup, and drinks it down.
SARA
You're right.
It's too boring to be normal.
LYNN
So let’s act insane together.
Then, drunkenly, Sara
starts imitating Lynn.
SARA
(imitating Lynn)
Oooh, everyone, look at ME! I’m LYNN!
I’m so STRESSED! I’m so
CONFUSED! I’m so OVERWROUGHT! Wah, wah, wah! I’m scribbling and scribbling
and scribbling in my journal again and again and again! Tattoo my armpits! What’s that ticking?! I mutter all sorts of wacky jibber-jabber out
of nowhere! Nothing calms me down! Boo hoo hoo!
LYNN
Stop making fun of me. I'm normal and you're
not.
SARA
I thought that “there’s no such thing as
normal,” you twat.
LYNN
Watch your fucking mouth. I've got a gun.
SARA
Stop with your threats.
Lynn brings out her gun, holding the tip up
and blowing into it to show power.
LYNN
I'm not threatening you. This gun serves a purpose.
SARA
Right. It's been used in your dream. I know
I've seen you toss and turn and talking in your sleep.
LYNN
You've must have overheard me saying I've
killed Ken then. And flashbacks keep
coming back to me, hitting me like a pound of bricks in my dreams. When I dream, I'm just so trigger happy.
SARA
(Her mouth drops)
Yeah… well, just don’t shoot your best friend.
You need me, I'm your muse, I inspire you to write in your journal.
LYNN
(Deepens her voice with frustration)
Right, keep dreaming, Sara! I'm just writing about myself, not you.
SARA
I… I don't want to be shot. I'm just trying to help you. That’s what friends are for, right? I gotta go. I got plans.
LYNN
Go!
Lynn fires a warning shot and Sara runs out the room.
CUT TO:
SCENE 35
INT. LYNN’S LIVING ROOM – NIGHT
Directors notes: Lynn
over hears both ladies and pulls out a gun out of her back pocket. As her hair
looks messy. Lynn has that crazy look.
Rhonda is eating pizza
from a pizza box when Sara enters.
RHONDA
How’s it going, Sara?
SARA (whispering being sneaking)
When people lose it, they really go nuts!
RHONDA
What happened?
Did Lynn lose it again?
SARA
(Yes, she told me she shot Ken and she looked
psychotic!)
Yes with that psychotic look she told me she
shot Ken!
RHONDA
Wow, that’s insane.
SARA
It really happened! Lynn’s gone off the deep end! She’s a lost cause!
Lynn enters the room.
LYNN
Back off! I heard you. If anyone's a lost
cause...
(She points her gun at both the other women)
…it’s you two! Neither of you care about me!
SARA
Stop it.
Snap out of it. You’re a
grown-ass woman!
LYNN
Yes, I am. And you two ladies shouldn't talk
about me behind my back! Or I'll blow both of your brains all over the floor
and ceiling!
RHONDA
You’re going insane. You need to eat something to calm your anger!
Rhonda shoves a piece
of pizza in Lynn’s mouth.
RHONDA
Here's your favorite type of pizza.
Lynn chews and eats
the pizza.
LYNN
Just because I'm wearing a pizza shirt doesn't
mean I needed that slice. But then
again, I am hungry, and anything is good when I'm hungry.
RHONDA
There, I'm glad you’re happy now.
LYNN
It's like taking a bite out of crime.
Rhonda and Sara both
look at Lynn with obvious relief that she calmed down, and the scene fades.
FADE TO:
SCENE 36
INT. LYNN’S
BATHROOM – DAY
While looking at her
reflection in her bathroom mirror, Lynn looks psychotic, and then looks down at
the bottle of pills next to her on the sink.
LYNN
Come on, Lynn. Don’t make yourself your own
worst enemy. You’re way better than most of the people in this world!
But then she laughs
evilly.
CUT TO:
SCENE 37
INT. DR. EDWARDS’
OFFICE – DAY
Lynn is having another therapy session with Dr. Edwards.
LYNN
These dreams need to get out of my head for
good. They are destructive and making me feels delusional. What can I do?
DR. EDWARDS
Just write out every dream in your journal. It will definitely help you.
LYNN
I feel like I'm dying trying. For protection, I sleep with a gun under my
pillow.
DR. EDWARDS
You can change your ways. It just takes twenty-one days to do so. Just focus on
what you want and try to do it.
LYNN
Okay. I'm not really a writer but I'm journaling away just to sort out my
feelings.
DR. EDWARDS
No one needs to be a writer to write in their journal.
LYNN
You're such a great therapist, Dr. Edwards.
I'll recommend you to more crazies if you want.
DR. EDWARDS
Well, I appreciate it. Here's my
business card.
He hands her his
business card.
LYNN
(Then laughs evilly)
Thank you. I think the first two people I’ll
show this to are my friends, Sara and Rhonda.
DR. EDWARDS
That sounds wonderful.
SCENE 38
INT. LYNN’S BEDROOM
– DAY
Lynn is almost falling
asleep. Sara see’s the door ajar and
walks in.
LYNN
I've been writing in my journal like a
maniac. I’ve written enough pages to
fill nine novels.
SARA
(Relax. At least writing is like therapy to
you.)
Relax. Keep in mind that it’s good therapy.
LYNN
My imagination goes wild with so much rage
inside of me that just wants to explode out of control.
SARA
Just picture a hot body, or something that you
love. If I was a guy, I'd whack off to a
hot body. Then life would be less
stressful.
LYNN
Ha ha. Guys have it easy.
SARA
Your right they don't use their brains. They are brainless. Us women are smarter.
LYNN
I would love to be smarter. Then I could figure out how I could get away
with going on a shooting spree with this gun.
Lynn holds up her gun.
SARA
In your dream, you shot Ken. Wait a second, I almost forgot; in reality
you blew his brains out, because he fucked up your tattoo.
LYNN
Yes. My
silencer works. I can use it on you, but
you are my bestie. So I don't want to
kill you off.
SARA
You’re too wise to let your impulses get the
best of you, bestie.
LYNN
Ken was different to deal with. It was a pleasure shooting Ken. That piece of
shit wasn't a decent guy at all; most women want a gentleman.
SARA
You’re right. Life isn't like a fairy tale, all
made up. But I need a man who acts macho
to bring in that magic.
LYNN
Who doesn't need one, girlfriend?
SARA
I better go study my ass off.
LYNN
Good luck.
Sara leaves.
CUT TO:
SCENE 39
INT. LYNN’S LIVING ROOM – DAY
Rhonda walks into the
room and she overhears Lynn write in her journal. The wind is blowing loudly. Lynn has a
journal by her and pills from her pill jar are scattered all over her dresser.
LYNN
I feel crazy and out of my mind. I don't know what to do. The pills don't work. In fact, they are
making the voices in my fucking head louder. I want to blow theses voices out
of my head. So I can finally sleep, like I’m dead .
RHONDA
Don't take pills. Be like me: natural. I'm
naturally dosed up without any medication.
What really calms me down is thunderstorm noises.
LYNN
Thunderstorm… noises?
RHONDA
Yeah, on YouTube, there are videos that are
nothing but ten hours’ worth of thunderstorm noises. I put it on before I sleep, since it’s so
relaxing. I’ve gotten Sara to do it too!
LYNN (with 1 eye brow up looking intrigued)
Is that what I’ve been hearing at
night?! Those thunderstorm noises have
made me more bonkers than I already am! The ticking sounds combined with the
storm noises… I'm feeling fucked up without even being fucked! And this wind is really fucking me up this
morning. The more the wind blows the
more it effects my emotions physically.
RHONDA
The best solution is just sleep it off. I
actually sleep off my pain when I not feeling well.
LYNN
That doesn't work for me, since the ticking
never stops hitting my eardrums. It’s
annoying the fuck out of me!
RHONDA
Use regular music to heal. It can work. Or maybe jazz. Or maybe boogie-woogie. That’s all relaxing, and there's lots of it
on YouTube, just like there's a lot of fish in the sea.
LYNN
(Sound crazy)
Speaking of fish men don't act like fishes.
Unless they are worth eating up alive.
RHONDA
Gosh, you speak so weird.
LYNN
Yes, you know that I'm good looking and weird
and a little evil.
RHONDA
At least you can admit that we all have an evil
side to us. Most people can't.
Lynn suddenly blinks,
as though in surprise, and looks around, as though disoriented.
LYNN
(Switching her emotions around)
Wait, I'm not dreaming, this is reality. So I should feel normal now.
RHONDA
So snap out of it and be real. Don't let your dreams effect the way you
behave. It's enough that this whole
world’s whacked out, without a doubt.
LYNN
This whole world’s a stage. That’s why people
are acting their life away.
Lynn checks her watch.
LYNN
Oh shit, I got therapy I better run.
Lynn leaves the room.
CUT TO:
SCENE 40
INT. DR. EDWARDS’
OFFICE – DAY
Lynn enters the room
and has a seat in front of Dr. Edwards.
DR. EDWARDS
Hello, Lynn. What’s on your mind?
LYNN (takes a deep breath)
I feel like I’m almost improving. I started doing some breathing exercises, but
my goal is to completely get rid of the horrible nightmares I keep having.
Dr. Edwards waves his
wand about hypnotically.
DR. EDWARDS
Relax and stare directly into this wand and repeat after me: I will have
pleasant dreams about how I’m going biking in Palm Springs.
LYNN
(Hypnotized)
I will have pleasant dreams about how I’m going biking in Palm Springs.
DR. EDWARDS.
Watch the wand move careful. You are doing
well. Now snap out of it.
Dr. Edwards stops
waving his wand, then snaps his fingers.
Lynn snaps awake from her hypnosis.
She smiles, then laughs evilly.
LYNN
I feel like a fresh new person, ready to take
on the world!
DR. EDWARDS
Great! Also, try the stuff that’s inside this bottle. It can differently end
your bad dreams.
He hands her a bottle
full of pills.
LYNN
Alright. I hope there are no side effects.
DR. EDWARDS
No, there aren't.
LYNN (looking charged)
I'm ready to go. Like a Duracell battery that just won't stop.
DR. EDWARDS
Don’t you mean an Energizer battery, Lynn?
LYNN
(Ignoring him)
Also, hopefully, these pills will help silence
the voices in my head.
DR. EDWARDS
They will help. But you need to do heavy duty breathing exercises before taking
one pill a day.
LYNN
Alright thanks.
DR. EDWARDS
see you at our next session. Let me know how these new pills work out for you
by writing about how the effect you mentally and emotionally as soon as you
wake up.
LYNN
Oh, I will.
Lynn leaves Dr.
Edwards’ office excitedly.
CUT TO:
SCENE 41
INT. LYNN’S BEDROOM – MORNING
Biking in her dream or
maybe walking,
Lynn has a refreshing
sleep, for once, without hearing any thunderstorms or ticking sounds.
CUT TO:
SCENE 42
The new pill changes
her
INT. LYNN’S LIVING
ROOM - DAY
Sara is watching TV in
the living room. Lynn is sitting next to her.
She suddenly puts down the remote control when she hears Lynn mumbling
nonsensically to herself.
LYNN
[SOFT, AD LIB MUTTERING]
But then Lynn takes
one of Dr. Edwards’ new pills and falls asleep.
CUT TO:
SCENE 43 (Dream)
EXT. BIKING TRAIL –
DREAM
Directors notes: Need a trail that looks like palm springs
Lynn has a dream she’s
in Palm Springs, biking.
CUT TO:
SCENE 44
INT. LYNN’S LIVING
ROOM – DAY (LATER)
Lynn wakes up, feeling
refreshed again. Sara mutes the TV that
she was watching this whole time while Lynn slept.
LYNN
Finally, I’m consistently waking up, feeling refreshed. I feel amazing!
SARA
Aww, so going in and seeing Dr. Edwards sure
helped, right?
Lynn holds up the
bottle of the new pills that Dr. Edwards gave her.
LYNN
Yes, he told me to take this. My dreams changed. I was in Palm Springs, riding
on a bike. What an amazing feeling.
SARA
(giggles)
Sounds great.
Lynn brings out her
gun.
LYNN
Maybe I should just throw this gun in the fucking trash. I don't think that Ken
will haunt me in my dreams this time.
SARA
(Eyes widen)
Oh, wow!
CUT TO:
Lynn (shows two sides to her)
I believe that my dream has changed me, but I won’t get rid of this gun.
SCENE 45
INT. LYNN’S
BATHROOM – DAY
Stage direction: Lynns Journal is on the shower rack, laying
there. Then the words from the pages come out
Lynn is showering, and
thoughts are running through her brain.
LYNN (V.O.)
As I showered, I happened to glance down at my
bad tattoo, and broke down again.
Lynn breaks down again
while she’s in the shower.
LYNN
(While crying her eye balls out she turns towards
envisioning Ken)
You were a screwed-up guy, for not doing my
tattoo right! How could you fuck up,
Ken?
Ken suddenly appears
in the bathroom, a ghost.
KEN
Sorry!
But you shouldn’t have worn such a distracting low-cut top!
LYNN
That’s no excuse.
KEN
It is! I’m attracted to you. Aren’t you attracted to me?
Ken flexes his
muscles.
KEN
(I am in such great shape! Check out my abs!)
I’m trying to be a bad ass by working out my
abs for you!
LYNN
You piece of shit lowlife!
She brings up her gun
and blows him away, and the ghost of Ken disappears. She smiles wickedly afterwards.
CUT TO:
SCENE 46
INT. SARA AND RHONDA’S BEDROOM – DAY (LATER)
Lynn and Rhonda are
talking to each other in Sara and Rhonda’s room.
RHONDA
I dated Ken years ago, and he was a lost cause.
Always drunk and high at the same time. Great job killing him, by the way.
After dating him for five years, he got to be very annoying.
LYNN
Didn't
Ken always put you down about your weight, while his stomach hung out like he
was knocked up?
RHONDA
Yes, I can't help that I have a thyroid
problem. Where my weight goes up and down like a roller coaster ride. Ken had
it coming. He didn't deserve to live.
LYNN
Well, you’re welcome, Rhonda!
RHONDA
Just don't wear your gun out in the open, like
a hair ribbon.
LYNN
I won't. I'll just write about it in my
journal. This way I can relax my fucking mind.
Looking confident,
Lynn holds up her gun while standing next to her journal.
LYNN
At least I did my job right. Unlike Ken!
CUT TO:
SCENE 47
INT. DR. EDWARDS’
OFFICE – DAY
Lynn and Dr. Edwards
are having another therapy session.
LYNN
Why do I feel cold one second and warm the next
second? The dreams are back, and they’re
driving me up the wall. The voices are
pounding in my head again. The clock
that's ticking in my head. My mind feels
like it going to explode. I feel I'm
sickened by society. My heart is aching I need someone to love me, I'm
heartless and really don't care for a single soul. I'm an evil, tormented soul.
DR. EDWARDS
Lean to tap thoughts out of your head. It
worked for other patients. So it can
work for you, Lynn.
LYNN
(Shaking her head)
I can't!
How the hell can I just tap them out of my head?! I'm trying to get better, but I can't!
DR. EDWARDS
Yes, you can!
LYNN
These thoughts of mine need to be blown away.
With my gun.
Lynn brings out her
gun.
DR. EDWARDS
(shocked)
Put that away!
You’re in therapy!
LYNN
I don’t need your help. You’re fucked up
backwards, doctor!
DR. EDWARDS
(Trying to soothe her)
I'm here for you. Deep down, I know that you are getting
better.
Lynn aims the gun
straight at Dr. Edwards.
LYNN
Liar!
Have you even been reading any of the things I’ve been writing in my
journal?! My moods change faster than
the TV when I’m channel-surfing!
DR. EDWARDS
Lynn, you can RELAX! PUT THAT GUN DOWN!
Lynn’s eyes flick
coldly to Dr. Edwards’ diploma, hanging from the wall.
LYNN
Where did you get your diploma from, anyway,
Dr. Edwards? Did you pull it out of a
bargain bin at a thrift shop? Did you
win it at a carnival after throwing darts at a balloon? Or did you simply download it from the
Internet?
DR. EDWARDS
Just Google me! I've got 5-star reviews from
every patient I’ve seen!
LYNN
Really?
Then tell me: what’s the cure for what ails me, doc? More breathing exercises? A warm bath?
A new pillow? Hey, I know! Maybe
I should try acupuncture!
DR. EDWARDS
(flustered)
Lynn, please, you, I… give me a moment to think;
you’re making me really stressed out!
LYNN
Oh?
You’re stressed? Well, I’ve got
just the thing to clear that up!
Lynn shoots Dr.
Edwards, killing him.
LYNN (evil)
9 millimeters of lead! Works every time!
Then she leaves Dr.
Edwards’ office, smiling in a crazy way.
Dr. Edwards
(I tried to give you advice, but failed.)
I tried to give you advice, but you took it the wrong way!
Lynn (looks evilly laughing as she’s looking at his
dead body)
Well your advice hasn’t worked. I’m still hearing voices, so you failed
CUT TO:
SCENE 48
INT. LYNN’S LIVING
ROOM – DAY
When Lynn comes into
the living room, Rhonda walks up and confronts her.
RHONDA
You killed Dr. Edwards, didn’t you?
LYNN
(In denial)
What are you talking about?
RHONDA
You killed Dr. Edwards. I called his office
over and over, and there was no answer.
LYNN
(In denial with a straight face)
The last I heard, Dr. Edwards had retired.
RHONDA
“Retired?”
Lynn, your lies are just so… DUMB.
Why not tell me that you witnessed space aliens abduct him into their
UFO?! That would at least be creative!
LYNN
Whatever.
I don’t have time for this!
RHONDA
You’re sick, Lynn! Unbelievably sick!
Lynn pulls out her
gun, fires two shots into both of Rhonda’s legs. Rhonda screams. Then Lynn puts a third shot directly into her
throat. Rhonda’s left gurgling blood on
the living room floor.
LYNN
Fuck off, Rhonda!
Lynn smiles happily as
she walks into the next room.
CUT TO:
SCENE 49
INT. SARA AND
RHONDA’S BEDROOM – DAY
Once inside Sara and
Rhonda’s room, Lynn steals Sara’s ID from off her bedside table. She also finds
a wig in one of Sara’s drawers. Lynn
puts the wig on. She looks a lot like Sara
now.
LYNN
(sounding evil)
Now I’m Sara!
Everyone else is so stupid; they’ll never be able to figure out who I
really am!
She heads into Sara’s
closet and pulls out some of Sara’s clothes.
CUT TO:
SCENE 49b
EXT. APARTMENT – DAY
Directors notes: Lynn walks away takes Saras car. Wearing a
wig to look like her.
Lynn walks out of her
apartment, wearing the Sara wig, and also wearing one of Sara’s outfits.
A nervous-looking
NEIGHBOR watches Lynn from afar, then follows after her from a good distance
behind. It almost looks like the
Neighbor is following Lynn to spy on her and see where she’s going.
CUT TO:
SCENE 49c
EXT. APARTMENT PARKING LOT – DAY
The disguised Lynn
enters her car and drives away. The
Neighbor watches her from a distance.
Once Lynn’s car is gone, the Neighbor pulls out his cell phone and dials
911.
NEIGHBOR
Hello, is this the police?
(Listens)
Good!
Okay, I live at Sixth Avenue Apartments, and I have these three
next-door neighbors, Sara, Rhonda, and Lynn, who are all roommates. Just a few minutes ago, I heard what sounded
like gunshots, and then Rhonda screamed like she was being killed! Then I saw Sara leave the apartment and drive
away in Lynn’s car!
(Listens)
Yes! I believe that my neighbor, Sara, just
shot her roommate, Rhonda, and stole the car of her other roommate, Lynn! Send some police officers over here right
away!
CUT TO:
SCENE 50
INT. LYNN’S CAR –
NIGHT
Directors notes when
editing do a transition scene.
Lynn drives down the
road in her car, still wearing her “Sara disguise.” She looks very tired, since she’s been
driving for hours. At a certain point,
she pulls off her wig and throws it in the back seat of the car.
CUT TO:
SCENE 51
EXT. REST STOP –
DAY
Lynn’s car parks at a
rest stop.
CUT TO:
SCENE 51b
EXT. REST STOP
BATHROOMS – DAY
Film editors
notes: The smoke will comes out when
Lynn appears towards the bathroom.
Lynn, looking even
more exhausted, walks towards the bathrooms, when Ken comes out of the men’s
bathroom, wearing a long coat. He looks
perfectly fine and healthy; not dead at all.
LYNN
(Screaming)
Get out of my head, Ken!
KEN
I’m not in your head, Lynn. This is really me.
LYNN (demands)
Okay, if you are really real… Then prove it to me! Give me a tattoo now!
KEN
Alright, I will. Let’s get in your car; I’ll do it there.
Ken lets himself into
the back seat of Lynn’s car. She enters
in as well.
CUT TO:
SCENE 52
INT. LYNN’S CAR – DAY
Once they’re both together
in the back seat, Ken looks over at Lynn.
KEN
Now what kind of tattoo would you like,
Lynn? And on which part of your body?
LYNN
I’d like skulls all over my chest this time.
KEN
Can do!
LYNN
I can see you’re not drink or high this time.
So maybe you’ll do a better job.
KEN
I will.
Suddenly, all the car
doors lock themselves. The interior of
Lynn’s car fills with strange smoke.
LYNN
What?
What the…?!
Breathing in the smoke
makes Lynn sleepy.
LYNN
Oh,,, I feel… so drowsy…
But Ken seems
unaffected by the smoke. The last thing
Lynn sees before her eyes flutter shut is Ken smiling and pulling his tattooing
tools from his long coat.
FADE TO:
SCENE 53
INT. LYNN’S CAR –
LATER
Editors notes: The smoke clears up as its happening again.
The smoke is all gone
now. Lynn is fast asleep. Ken nudges her awake.
KEN
Wake up!
Wake up, sleepyhead!
Lynn’s eyes groggily
open just halfway.
LYNN
(Drowsily)
Huh?
KEN
I’m done!
Don’t you want to see your new tattoos?
Lynn’s eyes open all
the way in excitement.
LYNN
Yeah!
YEAH!
Ken shows her a
mirror.
KEN
Have a look!
At first, Lynn’s
delighted to see that Ken has, indeed, put skull tattoos on her chest. But then she realizes that the skulls have
been drawn around a LARGER tattoo at the very center of her chest; the skulls DECORATE
this larger tattoo.
This larger tattoo is
a tattoo of the words: “I AM A MURDERER.”
Ken’s also added three
other tattoos on other parts of Lynn’s body.
First: “I KILLED RHONDA.” Second:
“I KILLED DR. EDWARDS.” Third: “I KILLED
KEN.”
Lynn looks up at Ken
with outrage and hatred and fear in her eyes.
Ken is still holding the mirror, but now he’s drinking beer from a
bottle, and all the bullet wounds Lynn gave him when she killed him in his
tattoo shop are back and he looks like a bloody zombie ghost.
He lowers his beer
bottle, lets out a huge belch, and grins an enormous grin at Lynn.
KEN
How do ya like ‘em, Triggered Gremlin?!
LYNN.
You filthy bastard!!!
Lynn screams and pulls
out her gun and shoots at Ken. But he
disappears.
Then she looks at all
the tattoos. She tries desperately to
rub them off, but they won’t come off!
LYNN
They’re not real! They’re NOT REAL! WHY WON’T THEY COME OFF?!?!
With a scream of
frustration, Lynn gets into the front seat of her car and drives off.
CUT TO:
SCENE 54
EXT. MOTEL – SUNSET
Lynn parks her car at
a motel. She’s covered her body with a
thick sweater and sweatpants, so none of her tattoos can be seen, as she exits
her car and walks inside, to check into a room at the motel.
CUT TO:
SCENE 55
INT. MOTEL ROOM –
NIGHT
Directors
notes: Create a visual sign.
Lynn has changed into
a tank top and shorts; all her tattoos are quite visible. She is sitting at a table in a motel room on
her laptop. She goes online and Googles
the phrase, “How to legally change your name,” and clicks on a website that
walks her through the process of legally changing her name. At the same time, she’s talking on the phone
with someone.
LYNN
(Speaking on phone)
Hello?
Is this Larry’s Laser Tattoo Removal Service?
(listens)
Oh good, do you really use real lasers?
(Listens)
Do lasers hurt?
(Listens)
Uh huh.
Uh huh. Yeah. Yeah, I have a lot of tattoos I need
to get off my body. I… I made a lot of
huge mistakes.
Every so often, Lynn
will scratch viciously at her tattoos, as if hoping she can scratch them off.
LYNN
How much does it cost to get one tattoo
removed?
(Listens, her eyes widen)
THAT MUCH?!
There’s a hard
knocking on the motel room’s door.
LYNN
(To guy on
Listen, I got to go. The pizza delivery guy’s
here. I’ll call you back later.
Lynn grabs her purse,
walks over to the door, and opens it.
There’s a SHERIFF at the door.
He’s pointing a gun at her.
SHERIFF
Freeze!
Put your hands where I can see them, Lynn!
Lynn raises her hands
in the air, dropping her purse on the ground.
SHERIFF
You’re under arrest for the murder of three
people!
LYNN
What, it’s not my fault? You’re arresting the wrong person! It was Sara!
SHERIFF
Sara?
Sara, your roommate?
LYNN
(In denial with a straight face)
Yes!
Sara was the one who did it! She
killed Ken! She killed Dr. Edwards! She killed Rhonda!
But the Sheriff grins.
SHERIFF
Oh, really?
Funny thing; we did take Sara in for questioning, but after we
interrogated her a bit, and had a chance to examine the crime scenes, several… interesting
facts came to our attention. Perhaps
you can help us make sense of it all, Lynn.
For example: can you explain to me why no traces of Sara’s DNA were
present at any of the three crime scenes, but your DNA was at all three?
Then the Sheriff spots
Lynn’s gun in her purse.
SHERIFF
Say, Lynn, that wouldn’t happen to be the gun
that Sara told us you own? It wouldn’t
happen to match the type of weapon used to kill all three murder victims, would
it?
LYNN
Uh…!
SHERIFF
Do you think I’m going to find any of Sara’s
fingerprints on the gun, or will it all be yours?
(Smirks)
Also, by the way? Those tattoos of yours makes quite the bold
statement!
After an awkward
moment, Lynn tries diving for her gun, but the Sheriff shoots Lynn’s arm.
LYNN
Aaah!!!
The Sheriff puts
handcuffs on Lynn’s arms.
SHERIFF
You have the right to remain silent. Anything you say can and will be used against
you in a court of law. You have the
right to an attorney. If you cannot
afford an attorney, one will be provided for you. Do you understand the rights I have just read
to you? With these rights in mind, do
you wish to speak with me?
Sniveling and
blubbering and crying huge tears, Lynn wordlessly shakes her head.
SHERIFF
Then let’s go.
CUT TO:
SCENE 55b
EXT. MOTEL – NIGHT
A PIZZA DELIVERY GUY,
who is wearing a cap and shirt with pizza logos on them, parks his car right
next to Lynn’s car. He exits his car and
pulls a box of pizza from the back seat of his car. But as he walks towards Lynn’s motel room
while carrying the pizza, the motel door opens, and Lynn is marched out in
handcuffs by the Sheriff.
Looking shocked at
what he sees happening, the astonished Pizza Delivery Guy quickly walks away as
he watches the Sheriff load Lynn into the back of his police car and drive
off.
The Pizza Delivery Guy
pulls out his phone and calls his boss.
PIZZA DELIVERY GUY
Hi! It’s
me.
(Listens)
Yeah, you know that lady at the motel who
ordered the onion and sausage pizza with extra cheese?
He opens the pizza box
and begins eating a slice of Lynn’s pizza.
PIZZA DELIVERY GUY
Turns out she ain’t gonna be able to buy
herself any pizza for a LONG time.
FADE OUT.
THE END
ALTERNATE ENDING
SPECIAL NOTE: The Alternate Ending branches
off directly after Scene 50 in the “main story.” To differentiate between the two different
endings, the Scenes from the Alternate Ending will be marked in this way: SCENE
AE-51, SCENE AE-52, and so on, (AE stands for Alternate Ending.) Let’s begin!
CUT
TO:
SCENE AE-51
INT. LYNN’S LIVING ROOM – DAY
Sara comes into the apartment, carrying two
bags full of fast food, plus one of those cardboard drink cup carriers, which
contain three milkshakes: chocolate, vanilla, and strawberry.
SARA
Hey, girls! I bought us all
cheeseburgers and French fries and milkshakes!
Who’s hungry?
Nobody answers her. She steps further into the room.
SARA
Rhonda? Lynn?
Anybody here?
As she steps a little further inside, Sara’s
foot hits something. It’s Rhonda’s
corpse!
SARA
AAAAAAHHHHHH!!!!
In her shock and panic, Sara drops
EVERYTHING she’s holding; all the cheeseburgers, French fries, and all three
milkshakes spill all over Rhonda’s body.
Then Sara kneels down over Rhonda’s body.
SARA
Rhonda?! Rhonda?!
Speak to me, Rhonda! Speak to me!
Sara gets down on her knees and puts her
ear over Rhonda’s heart, trying to listen for a heartbeat. After a few seconds of hearing nothing, she
lifts her head back up, breaking into tears.
SARA
(Loud
and distraught)
Oh
no! I can’t hear a heartbeat! Rhonda, you’re DEAD! You’ve been SHOT! Somebody shot BULLETS into your BODY,
Rhonda! Who?! WHO could have EVER committed such a horrible
crime?! How could something like this
POSSIBLY have happened?! It doesn’t make
ANY SENSE! Whhhyyyy?!?!?!?
Then a knock comes at the door.
CUT
TO:
SCENE AE-52
INT.
LYNN’S FRONT DOOR – DAY
Sara goes over and answers the door. It’s the Sheriff.
SHERIFF
Are
you Sara Winko?
SARA
Y…
yes?
SHERIFF
A
neighbour of yours called 911 recently… said he heard gunshots…
The Sheriff looks past Sara, and spots
Rhonda’s body.
SHERIFF
Oh
my God!
Then he points his gun at Sara.
SHERIFF
Freeze! You’re under arrest! Put your hands in the air!
Sara puts her hands in the air.
SARA
What?! It’s not my fault! You’re arresting the wrong person!
The
Sheriff puts handcuffs on Sara and begins reciting her Miranda rights.
SHERRIF
You have the right to remain silent. Anything you say can and will be used against
you in a court of law. You have the
right to an attorney…
CUT TO:
SCENE AE-53
INT. LYNN’S CAR – DAY
Lynn is driving her
car down the road while listening to a NEWSCASTER on her radio.
NEWSCASTER (V.O.)
(From radio)
Sara Winko will stand trial for the alleged
murder of her roommate, Rhonda Flonk in seven months. The whereabouts of Winko’s other former
roommate, Lynn Durnas, are still unknown.
Lynn lowers the volume
on her radio so she can gloat and laugh.
LYNN
(With very evil joy)
Sara is stupid! Sara is stupid! She got framed, and she never saw it coming! Now I finally feel at peace. No friends left!
Who gives a shit! Ha ha ha ha!
CUT TO:
SCENE AE-54
EXT.
HIGHWAY – DAY
Lynn’s
car speeds down the highway, quickly vanishing into the far horizon.
FADE TO:
SCENE AE-55
EXT.
WELCOME TO FABULOUS LAS VEGAS SIGN – NIGHT
We
showcase an establishing shot of the world-famous “Welcome To Fabulous Las
Vegas” sign.
SUPERIMPOSE:
ONE YEAR LATER
CUT
TO:
SCENE
AE-56
INT. STAGE IN LAS VEGAS CASINO – NIGHT
The
curtain opens, to great applause. Out
steps Lynn. She is now a Las Vegas
showgirl. Backup dancers dance up from
behind her and spread across the stage.
The
super-skimpy costume Lynn wears flaunt the countless tattoos covering every
centimeter of her skin, from head to toe and everywhere in between – it’s ALL
tattooed.
Lynn
proceeds to sing a nice, safe, non-copyrighted song straight from the Public
Domain: “I Ain’t Got nobody.” The backup
showgirl dancers accompany her.
LYNN
(Singing)
I ain’t got nobody
And ain’t nobody cares ‘bout me!
That’s why I’m sad and lonely
Won’t some sweet daddy take a chance with me?
Well, I’ll sing sweet love songs all the time
If you’ll come and be my daddy mine
I ain’t got nobody
And ain’t nobody cares ‘bout me!
FADE OUT.
THE END
When the credits rol
She’s slams her journal on the table and blows
it away with a gun while mumbling to herself
Lynn (mumbles to herself in a evil way)
All this writing in my journal didn’t help me at
all.
It was worthless like ken was.
It felt good killing everyone